From youthful campus romances to intense family sagas and even crime‑driven thrillers, Parth Samthaan has carved a niche as one of television’s most versatile actors. His career trajectory—from Kaisi Yeh Yaariaan to Kasautii Zindagii Kay 2 and a surprising stint in CID—reflects his ability to move between genres with fluid ease, constantly reinventing himself and keeping audiences intrigued.
Currently in Lucknow for his new project, Parth opened up about returning to television, his philosophy on choosing roles, his take on love and marriage, and the deeply personal motivations that drive him.
Lucknow Diaries: Culture, Food, and Warmth
Parth describes Lucknow as “all heart.” Shooting in the city’s bustling markets during festive season was no easy feat, but the warmth of the people made it memorable. “Lucknow welcomed us with open arms and I’m excited for the work we did here,” he smiles. “I’ve always heard of the city’s tehzeeb and adab, and now I’ve finally experienced it. The way people talk, the culture of ‘pehle aap’ is so unique.”
Between tight schedules, he indulged in the city’s culinary treasures. “We ate kebabs from different places, and I had the best haleem ever! It was too delicious,” he recalls, clearly charmed by Lucknow’s famed food culture.
From College Romance to Family Drama
Reflecting on his journey, Parth acknowledges that each project brought unique challenges. Kaisi Yeh Yaariaan was special because it mirrored his own age and experiences. “It was fun and relatable, surrounded by people my age. It came at the start of my career and gave me recognition.”
Then came Kasautii Zindagii Kay 2, a complete shift in tone. “I had to portray an ideal son, and the story revolved around family emotions and values. Working with senior actors who played my parents was a huge learning experience. It taught me discipline and depth.”
Breaking the Mold with CID
His role in CID was perhaps the most unexpected. “That was the most challenging. I grew up watching Daya sir and Abhijeet sir, and suddenly, I had to play their boss! A cutthroat, no‑nonsense character with no romance or family angle, just crime and investigation. Still, it was fulfilling, and I’d love to revisit that role someday,” he says.
A Conscious Creative Philosophy
Parth’s choices reflect a deliberate desire to grow rather than simply stay visible. “Every role means something to me. I give my full effort to each, but once I feel I’ve explored everything a character has to offer, I start looking for a new challenge. Even if scenes change, emotions can start feeling repetitive, and that excitement fades. That’s when I move on. It’s about keeping the creative spark alive.”
This philosophy also shapes his selectiveness about new work. “If I’m coming back to television, it has to be worth it. I want a character I can be proud of, something I can justify both as an actor and as a person. The new project I’m doing feels different—it’s something I’ve never done before. People will see me in a completely new light.”
Building a Home, Building Happiness
Away from the spotlight, Parth is busy with something deeply personal—his new house in Mumbai. With a background in architecture, he designed the basic structure himself before handing it over to professionals. “I stay involved in everything from materials to space planning,” he says.
His motivation is emotional. “When I first moved to Mumbai, my parents were in Pune. My mom would visit and feel uncomfortable because homes in Mumbai are so small compared to Pune. After a lot of patience, I’ve finally managed to buy a bigger house. Seeing her happy about it now makes it all worth it.”
Reality Shows and OTT: Clear Stance
Despite regular offers, reality shows aren’t on his radar. “Every year I get offers from Bigg Boss and similar shows. But reality shows are not my cup of tea. Lucknow ki gurr ki chai is my cup of tea,” he laughs.
On the OTT space, Parth is candid. “Right now, the industry is in an uncertain space. Numbers and budgets have been shaken up. Many shows have been shelved or halved in budget. There’s a herd mentality—if one show or actor works, everyone follows the same formula. Producers only want what’s trending instead of trusting new subjects or talent. Patience is missing. Nobody wants to invest in good writing anymore, it’s all about quick results.”
Love, Marriage, and New Beginnings
Marriage, however, seems to be on the horizon. “My cousin, who’s younger than me, got married this November, and the big ‘tumhara kab’ questions kept coming my way,” he laughs. “Honestly, I’ve been waiting for my house to be ready so a new chapter can begin. Hopefully next year I’ll marry. I’ve always believed in love marriages. The setup of arranged marriages isn’t something I connect with.”
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